Sami Huda

Featuring Law Roach & Teyanna Taylor.

Watch the full episode here.

Featuring LIL YATCHY & IRIS APFEL

Check out the full episode here.

One of the most interesting mash-up experiments to emerge from Toronto’s underground music scene, No Tourists (a group of seven vocalists and producers) offer their own patented style of drill, a genre within hip-hop that has taken the London and New York music scene by storm. “Like Lava” features verses from group members Kafayé, Keynes Woods, Lan’do, and Deelo Avery, who each deliver their lines with such hyperbole that you’ll think you’re on an episode of Top Boy.

Separated by the constraints and limitations set by the pandemic, the group took the rare opportunity to come together and shoot a DIY music video. Shot very nonchalantly on the rooftop of a downtown music studio, leading pack member Kafayé used his experience in multimedia and video production to create a video just for the sake of creating. “Nowadays content is king,” he states, “I think that the more visual representations that we have out there is better for the group, so people can get to know us personally.”

“Like Lava” picks up the same energy that fans experienced on their 2020 EP “Guerrilla” and the renegade single “Dumbo”, which saw the group attain notable acclaim in Canada and internationally. Their 2021 project continues to delve into this funky world of genre-bending experimentation and raw emotional lyricism that we have come to know from this multifarious bunch.

No Tourists as a group has a sound that is substantially different than the sum of its parts. Each member of the collective offer a very diverse and unique creative donation to the collective’s projects, inspired by their singular artistic backgrounds in jazz, hip-hop, dancehall, funk and experimental music. Yet, there is profound magic created every time this group of musicians come together to create. It’s as if there is a singular mission and purpose behind the force that drives No Tourists, and the chemistry and camaraderie between the tight knit group is undeniable.

Four independent collectives join forces to bring you Canada's first BIPOC Fest

Why we are excited about the performers of this festival!

Whenever we gather together, even virtually, it’s important to acknowledge the land and space we are currently on - it is the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haundenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Metis people. We want to thank the original caretakers of the place we currently call Canada.

The Canadian music industry is at a crossroads. The COVID-19 pandemic has shut down all live music and affected the lives of thousands of artists and performers across the nation, yet it also gave way to a generation of young and talented BIPOC musicians who have overcome traditional systemic barriers by using the internet to share their art and their voices.

The Canadian music industry has never been as diverse and talented as it stands today, yet young Canadian artists of colour still fight for space within mainstream music. Independent musicians are practically small business owners; they run their own marketing, branding, distribution, and they sell themselves and their art as the product. Running a small business by yourself can be challenging, now add systemic racism, ableism, sexism, transphobia and general discrimination to the mix and we get a snapshot of the adversity faced by many Canadian artists on the regular.

Serious Betty spoke with BIPOC Fest producers Alisa Kanda Kovac (@officialsakako) and Natalie Nguyen (@nalienoo) on the need for a festival comprised of only artists of colour.

Serious Betty: When you were thinking of what to call the festival, why did you decide to go with BIPOC Fest?

Alisa Kanda Kovac: Initially I knew this was a space I wanted to create specifically for BIPOC talent. [At first] it was kind of a placeholder name, and it just started to grow on me! I was like, this is exactly what this is, calling it something else, honestly, I don't think it would have the same impact. It's very clear, like, "Hi, we are non-white Canadians, and this is who we're here for and this is who we're supporting."

Serious Betty: What has been the coolest thing about putting this festival on for you?

Natalie Nguyen: I think [the coolest thing for me has been] how big it's gotten over the past few months. When Alisa first messaged ENSO, it was back in July, and she had this really small but really ambitious idea, and it's been incredible seeing it grow. And bringing on Serious Betty onto the team has been incredible. With how many people we have on our team, we've been able to get some really great support on it too with all of our sponsorships, [from] the City of Toronto, Exclaim! and Artery, as well as our giveaway are incredible too, like Exclucity and the Underground Dance Centre. All of it is just incredible, I would have had no idea it would have come this far!

This is Canada’s first festival with an all Black, Indigenous, and POC line up. The list of performers is exciting and impressive. We are personally excited to see Thunder Bay’s Natasha Fisher, a singer from the Long Lake #58 First Nation who blends her unique style of r&b with mesmerizing Indigenous sounds and Toronto-based supergroup No Tourists, made up of five acclaimed independent artists including French-Congolese rapper Keynes Woods and Nigerian-born musician Deelo Avery , all singing and rapping about Black experiences in their community.

Also young activist-singer Malaika Khadijaa who, in addition to her music, founded Luminary to help young artists like herself navigate the music business. Sakako, the next great feminist pop-star and founder of the not-for-profit Arts From Home, believes that community arts and mental health advocacy is at the core of her artistry and she will be showcasing it on the main stage. The festival also makes space for newcomers on the scene like Lane Webber, a 20 year r&b-funk pop artists who just wants to make you dance, Scarborough’s own Elyssa Plaza an alternative r&b singer who sings from her life experiences, and the dynamic Red Rhythm and Blues duo comprised of two-spirit Anishnaabe singer-activist Aqua Nibii Waawaaskone and talented-vocalist and instrumentalist Valentina Morelli.

BIPOC Fest 2020 is a celebration of the diversity that makes up Canada’s artistic community - it was born from the necessity to change the Canadian music landscape. Each performer was selected because they represent an intersection of society that blends their experiences, cultures and backgrounds with their art. Artists in the lineup tell stories of who they are through beautiful and soulful ballads, like Indigenous artist Sara Kae or beat-driven poetic rhymes and raps, like hip-hop artist and social activist, Tremayne. The BIPOC Fest line up of performers represent the story of Canada: past, present and most importantly - the future.

We leave you with some simple steps that you can take to support Black, Indigenous and Artists of Colour in your community.

Bump that track - Yes, Spotify Wrapped 2020 reminded us that we all listened to a lot of established artists on repeat, but we implore you to dig into the careers of the independent artists who are performing at BIPOC Fest 2020 and listen to their music. Stream their catalogue while you cook, bump it in the shower or add them to your driving playlist. Without the luxury of touring and performing, streaming and online events like BIPOC Fest has become a key source of revenue for many artists. We’ll even help you get started - CLICK HERE TO LISTEN TO THE ARTISTS PERFORMING BIPOC FEST 2020

Shout them out - Follow the performers on social media and send them a DM to let them know you are vibing with their art. Share their songs on your Instagram stories and TikTok. Trust us, they will appreciate all the love and recognition. They are people, just like all of us, going through the tough times and social isolation. Recognizing their art goes a long way in making sure they keep making it. Check out the BIPOC Fest event page to see a list of all the performers here.

Spend that dough - Buy your tickets to BIPOC Fest. It’s only $15, and the proceeds go directly to the performers, collectives, and VIBE Arts - a charitable arts organization committed to providing children and youth in under-resourced communities with high quality arts education.

Plus each ticket will enter you into the giveaway generously provided by Long and McQuade, The Underground Dance Centre, Toronto, and Exclucity!

BUY YOUR TICKETS FOR BIPOC FEST 2020

BIPOC Fest is presented and produced by:

Arts from Home

ENSŌ

Serious Betty

Luminary

Thank you to these sponsors for their support of BIPOC Fest 2020:

Artery.is

Exclaim!

City of Toronto

Written by Sami Huda

Follow Sami @Made.In.Dhaka

The online interactive conference will focus on understanding how the music and entertainment industry works. TICON will feature industry specialists, influencers, and Youtubers directly speaking about their experiences within each industry and what they've learned over the course of their careers. Consisting of 2 panel discussions, each lasting approximately 30 minutes, attendees will get a chance to directly ask our panelists questions during a live Q&A session at the end of each panel.

The Ottawa-based rapper strips down his EP, Müde, discusses being a member of the Major League Boys Collective, and opening up for Jazz Cartier and Yung Tory.

Lance Lorenzo has a lot to say. Trust us. We sat down with the fashion-forward young visionary from Ottawa to take a deep dive into the mind of Lance and talk about his most recent EP titled Müde. This masterfully orchestrated sophomore project is a strong follow up from his 2017 debut projects ChanksLorenzo and Boundless.

Lance’s energy is contagious. While most of our interaction took place over email and Instagram DMs (thanks Covid-19!), you could feel his personality take over the conversation and you can’t help but get hyped up in his presence.

We spoke about his career to date, his catalogue as a solo artist and a member of Ottawa’s Major League Boys hip-hop collective, along with early successes, like opening up for Jazz Cartier and Yung Tory, and performing in front of a hometown crowd at the RAW Festival. Those are some “major league” accomplishments for a rookie artist, but that’s what makes Lance Lorenzo so special. He has raw talent and high energy that hits you like a truck going a hundred miles an hour, a dream for any producer or future collaborator to work with.

When asked about the idea of collaboration in his work, Lance shares that he doesn’t really have too many collaborations. He is very picky with who he works with and the times he does have a feature or is featured on a track, it has to be perfectly used. He is quick to dismiss the idea that up-and-coming artists, especially from the same city, must band together to establish some clout. This is something he believes is detrimental to the creative process for artists and the quality of the project will suffer since not everyone has the same sounds. However he acknowledges that as he grows as an artist himself, his future tracks will have features and creative collaborations that range outside his social circles and his collective.

Lance Lorenzo performing with Major League Boys. Photo courtesy of @__avigaaail

Lance Lorenzo performing with Major League Boys. Photo courtesy of @__avigaaail

On to the topic of Müde: It has been over three months since the EP dropped and the release time happened to coincide with the early stages of the Covid-19 quarantine restrictions. The album was overlooked and slept on, perhaps due to the insanity and paranoia that followed the pandemic and our collective societal focus on our health and well-being. But, as we ease into the warm weather and become comfortable with the new normal, it’s definitely time to bump Müde. We’ve personally played this EP front to back on repeat multiple times, but we wanted to hear from the creator himself on what this EP and every single track truly means to Lance Lorenzo.

The following words are provided by Lance Lorenzo himself as he breaks down each track on the Müde EP.

Oü Yea (Produced by JMESIX) - In the perspective of the (overall) project, it was a song I had made nearly a year prior in February, but hadn’t gotten to recording until the summer of 2019. When I hear a new beat that I’m attracted to, I always determine if it’s the kind of song that I feel I will have to get serious and introspective and rap on or if I can be a bit more carefree. This was a more introspective one and the lyrics constrained a story-like aspect of my own life. I told myself that the song should be a reflection of someone who came to realize the value of their potential in the later years of their adolescence and young adulthood. The song lyrics transition into something more braggadocious and cautionary regarding my own potential, since I believe I’ve never truly shown it. It was much later on during the conception of this album that I decided it would make a good intro song to show (them) that I was no longer playing around.

In Vain (Produced by KRUSH KAPRICE) - Just like the first track, this was an older song where Velli, a fellow member of the Major League Boys, had played me his verse, maybe back in early 2019. This was before he had ever dropped any music but was building his catalogue up for his own debut. We never realized that we had such a catchy song on our hands until way later in the year when I was putting the project together.

Leo Cap (Produced by PALE1080) - It started off pretty calm with the vocal layers, but the beat honestly started hitting us so hard that 613Tino (who executive produced this project) and I felt we had to have vocals that match up and reflect how big the beat sounded. As you know the tone of the sound determines how I approach the song with a verse or melody, when I heard his beat I knew I had to bring energy that showed my mood at the time. This track was a new song that I made for this album and I had more confidence in myself and abilities on this track. The melody verse is the calm before the storm and it only increases in intensity as the song progresses. I anticipated this song was going to stand out on the project for being loud and bold. I was correct. I wanted the audience to know that I have realized my abilities and how devoted I am to this craft and how dedicated I am to my drive.

No Serv (Produced by KRUSH KAPRICE) - This beat was made by Krush Kaprice, a producer from South Carolina that I was introduced to through Macaroni Drip, another producer on this project. As I explored his work I came across this beat and it was the 808s that caught my attention and how dark the sound was. It was the kind of beat that I could see myself performing live as the crowd goes crazy and rowdy. This track was made in January of 2019 and was one of the first few songs I was impressed at my own ability to write lyrically and the transitions of the melody and beat switches. Working on this song proved to myself that I was getting better at writing and developing my sound. When I finally recorded it last summer, I loved it just as much as I did the first time I heard it and it’s a special song to me because it showcases my potential.

LFWR (Produced by MACARONI DRIP) - To be honest, I think I was in a fight with my girl when I wrote the actual lyrics to the song. The overall tone and message for the song was “Even though we may fight from time to time, it doesn't mean it makes you replaceable”. I find that our generation can be quick to sever ties in relationships due to a fight or misunderstanding, which I find dismissive, especially when you love and value that person. You end that one and try to find someone new with the qualities of your ex minus the fights, only to realize that those things were unique to that previous person.

Wanna Know (Produced by PALE1080) - I go into my personal life again on this song. I touch upon the reasons why I dropped out of school, how I began occasionally dabbling with marijuana. I go into more recent history and how I taught myself the creative aspect of music in terms of making cover arts and promo clips on my own. Much like the other songs on the project I am willing to do anything to get to where I see myself. It addresses those who may typecast me into thinking I am someone who is a clout chasing dropout with too much pride to just work a normal job. The song basically says “You want to know what I’m really about?”, well the first verse addresses who I am and the second verse challenges the critics who don’t believe in my dedication or my vision. I am making a statement that I am no longer playing it safe in terms of my vision or career.

High (Produced by MACSAPRODUCER) - I honestly was not one of those kids that indulged in marijuana in high school. I was 20 when I really got into it, but I still had to hide it from my family since I lived at home. The only opportunity I got was when I was out or at the studio. Personally I like to do it before and during sessions as a way to immerse myself back into the music after taking a break to rant or coming down from the previous high. I exclusively smoke sativa strains because it brings out the creativity and I don’t like the couch-lock of Indica. I prefer a high that has me aware and on the edge of my creativity. However, weed is not a crutch for me when it comes to creative output. I don’t let weed become a crutch to my music or creativity. I don’t want to be in a situation where I can’t function without it, or be left out of an opportunity because of it. I let my passion guide me through this at all times.

Lane (Produced by TRUDIE) - The last track of the project is another older song that I was surprised that I was able to make at that stage in my career. The ending verse was made during the actual album phase so it was much shorter originally, but I never made a song with that much melody and autotune before, so this was a big deal for me. I was performing a lot in local nightclubs and I would perform Lane and people really liked it. When wrapping up Müde I wanted to use this track to finish it off because I felt it was a good note to end on. This song has a hint of my arrogance mixed in with my confidence.

Epilogue: As the question kind of states, I wanted to end a project that discusses various introspective topics, displays a more vulnerable form of me and showcases a new side of me that I haven’t made public. This is a new me that isn’t meek and hesitant and shows that I can compete with my peers in my city.

I’ve endured the typical struggles that many musicians have gone through - I’ve had performances where nobody showed up when they said they would. I’ve had over all disappointments by results not being how I expected them to be when I envisioned them. I think I spend a lot of time thinking of what I could be doing more rather than seeing those obstacles as a struggle. I’m honest with myself and I remind myself of various approaches that I still haven’t executed as part of the reason I am where I am rather than get too bitter over being slept on.

It’s a reality of a lot of things - I could’ve decided to start up a business and had the same result where people I assume would support my restaurant or clothing store, based on signs of our friendship would potentially let me down. But the show goes on, and I would have to find a way to keep that business afloat without them, right? I know that they will come around once they see my accomplishments and milestones that they deem valid.

And that’s okay with me because it’s very human.

Sincerely,

Lance Lorenzo

Album credits:

Executive produced by 613TINO (@613Tino)

Tracks produced by:

MACSAPRODUCER (@macdrip613)

JMESIX (@jmesix)

KRUSH KAPRICE (@krushkaprice)

MACARONI DRIP (@macjoey)

TRUDIE (@prodtrudie)

PALE1080 (@yicksluvkyle)

Artwork by: Renzo (@lvnce.lorenzo)

First of all, who is Melz?

A jack of all trades. I’m known mostly for my music but there's so much more to me than that. I’m a writer, videographer, editor, entrepreneur. Recently it seems that everything I did for fun as a child has become my current career path. I spent my childhood writing songs and filming “movies” with my friends. I would spend hours editing without end and would record my songs with one of those old voice tape recorders.

I never dreamed of sharing any of my projects because they were made for fun. I didn't think they were good enough. But when I think of Melz and the person I’m becoming all I see is a life where I share my form of art with the world. For your entertainment, for your consumption, whether it makes you sad, angry, confused, I want it to create emotion. I think if it does that then I’ve done my job.

What is your musical background? Do you produce your own tracks?

My mom tells me I started singing as soon as I was able to talk. I started mostly at church and then school plays. I took piano lessons growing up and vocal lessons for a bit so I definitely have the basics of musical theory down. I think it helps as I don't produce my own tracks but I do mix and master my demos. Eventually I hope to get good enough that I can do most of that myself when I go to the studio. I think producing my own track is the next goal for me but currently I like writing to beats that are completely fresh to my ears. I think It makes my songs more authentic.

What really got you into music?

I think it was just a natural attraction. Almost like I was born to do it. I don't think there's been a point in my life where music wasn't involved. I can thank my family and upbringing for that. My mom and dad were both singers and even sang in the same group together. My uncle (who still makes music) is basically a musical prodigy. He plays 7+ instruments almost all were self taught. My siblings are almost all musical inclined as well so I think it just runs in my blood.

I had bought my first mic in 2015 and started making songs for years. Not releasing any of them just using it has an emotional outlet and occasionally showing my close friends and family. It was in 2019 when I wrote Know Better. I showed it to SEFA and he took me to the studio asap. We recorded the song together and it was history from there. I don’t think I would have started releasing music if it wasn't for Know Better and SEFA

What is your inspiration?

I always struggle with this question because I’m not necessarily inspired by people but by specific things that they do. Lately I've been inspired a lot by Tory Lanez work ethic. Sometimes he’ll go on live and show his process on how he makes his songs in the studio. In like 15 mins or less he’ll have a catchy banger just like that. My writing process definitely has improved using some of his tactics. He's dropped 2 albums in less than a year and now officially owns all his royalties. It’s inspiring to see where hard work and passion can take you.

What does your work mean to say? Is it personal experiences? Are you trying to tell stories?

I think it’s a mixture of both. My songs are always triggered by how I’m feeling in the moment. I actually struggle to write when I’m not emotionally charged. That being said although the emotion comes from experiences, a lot of what I write is greatly exaggerated. Maybe I’m just dramatic but sometimes I’ll look back at things I wrote and I’m just like “Damn, I was in feelings.” I think it's better that way though. My work is meant to be relatable. I want it to say; yea I’ve been through that too, here's what you're feeling in words.

You also do YouTube vlogs, is that something that you want to merge with your music career?

Aside from documenting my life I mostly just made a Youtube to give myself another outlet apart from music to express myself. I talk about spirituality, manifesting, friendships, things I learned the hard way that I wish someone had told me about life. I don’t think I’d deliberately merge it with my music but if it happened naturally then I’d be opened to it for sure.

What are your thoughts on the music scene in Ottawa?

Ottawa has so much talent it’s actually very underrated as a city. Thing is, most people don’t know about artists unless they’re their friend or a friend of a friend type thing. Events like “Theaftermathexhibit” do a great job for creating a space to get artist more heard in our city. There’s so much unheard talent in Ottawa, people are sleeping now but we got some good rising artists on the come up. I think Ottawa's music industry is only going up from here.

What was it like working with Eazy Finesse on this track?

I’ve known Eazy Finesse since high school, I remember grade 12 we sang together I think it was for a school talent show. We always vibed and got along so when I wrote Pull Up I was like I have to get her on this. She was in Toronto at the time so we went to the studio at separate times. It definitely made the reveal of the final product more exciting. The first time I heard her voice I played the track full blast in my car with my sister and we were amped. I was like ok yea this is the one. She’s crazy talented so I didn't expect any less , next up we’re planning on filming a music video for it and that’s about to be a whole vibe on its own.

Anything from Melz coming up we should be hyped about?

My main focus right now is dropping my first official Ep. I’m taking my time with it since I want it to be a proper introduction to Melz. I have some songs lined up already so people can expect for the Ep to drop November 2020, just in time for those cuffing season vibes. Picture if Summer Walker, Jhene Aiko, and Kehlani combined their sounds and that's what this Ep is the production of.

Name your top three tracks you've been bumping recently?

I’m not very picky with what I listen to. If it has a good beat I’ll probably like it.My taste varies from day to day, some days it’s trap and trap only and other days it’s 90’s r&b, soca, pop, alternative, but normally there has to be some modern day r&b in there. Lately I’ve had No Idea - Don tolliver, So What (feat. Popcaan) - dvsn, and Can I (feat. Tory Lanez) - Kehlani on repeat.

Fashion trends may cycle back every few decades but music will always define the era it was born in. You can never replicate the raw authenticity of generational rap artists of the 90s that gave birth to the hip hop culture we embrace today, however DJ Andre 905 and Stay Out Late pay a seriously great homage to the legends on “Fawad”, a remix of the “7th Chamber” classic by the Wu-Tang Clan.

This single is part of a bigger project called “Toronto vs The 90s,” a compilation of emerging artists hand-selected by DJ Andre 905 to represent this city on a global stage. “Fawad” was released as the preview single to the compilation and features verses from our friends Casino Costa, Tremayne, Charlie Noiir and Scotty IV of the Stay Out Late collective.

We get seriously excited every time any of these rappers drop gems on our speakers, but to see the entire gang come together and flex their lyrical ability (trust us, they go HARD) is a gift that keeps on giving. The first time I heard “Fawad”, I felt almost guilty, like waking-up-in-the-middle-of-the-night-sneaking-to-the-fridge-for-a-3 a.m-cupcake guilty. I’ve got deep fandom and love for Toronto’s hip-hop culture and knowing that this will be a defining moment in Toronto music for the rest of 2020.

Many of us who were products of the 80s & 90s will recognize this classic RZA-produced beat, and more recently from the Netflix mini-series “Wu-Tang: An American Saga”. The beat is a classic and the Stay Out Late boys show that they are up for the challenge of taking on the mantle.

Tremayne, who is undeniably the charming de-facto leader of the group, kicks off the track with a cheeky and simple verse that sets the tone for the single and drops a challenge for all haters to put up or shut up.

Second up is Charlie Noiir who, in my opinion, is one of the most clever lyricists in Toronto. His verse is my favourite because he delivers punch line after punch line that ride the bars in true Wu-Tang fashion.

Casino Costa most opportunistically brings a level of hardness that compliments Stay Out Late’s high energy. Grandstanding and gritty in his delivery, his words and lyrics back up the challenge thrown down earlier by Tremayne.

Scotty IV is perhaps the most emotional artist of the bunch, and rounds out the song with a softer touch. His strongest skill as a rapper is to take the listeners along with him as he tells intricate stories in his verses and this time is no different.

We applaud Stay Out Late for positioning themselves in this compilation, and truly representing for Toronto.

Toronto singer songwriter Natasha Fisher’s new track “Rollin” will help you drop the emotional baggage.

Natasha Fisher is not messing around with negativity anymore. Her latest single “Rollin” is a showcase of heavy personal emotional shedding and addresses the ups and downs of getting over a bad situation or relationship.

The track is a perfect vibe for the rainy days that end with clear skies and her soulful voice rides a very futuristic trap beat that guides the listener on a journey through their own past.

The best part of “Rollin” aside from the Natasha’s crooning is the supremely catchy chorus and outro that will leave you humming the song in your head for hours.

No longer the boy next door, Toronto’s noiir takes on adult romance on his latest single “Xtra Hard”.

“Xtra Hard” gives us in a different direction than we are used to from noiir. His past singles “Guitar Flow” & “Girlsgirlsgirls” featured a colder, more sensitive side of this soft-spoken crooner. “Xtra Hard” showcases a more mature and confident singer complemented by the excellent psychedelic retro beat produced by the emerging duo Foundation.

noiir wastes no time in setting the stage, or lighting the candle if you will. The R&B casanova pairs his natural affinity for gospel sounds and choir vocal skills, and infuses them with the super funky 90’s influenced basslines paying homage to a time when Ginuwine’s “Pony” ruled the airwaves. The song is seductive and takes over the atmosphere of any room it’s played in.

noiir simply shines on “Xtra Hard” with newly-minted confidence and attention to detail, setting the song apart from any previous work in his catalogue. “Xtra Hard” cleverly explores themes of vulnerability, commitment, and selflessness. This is by far a stand-out project by the young troubadour to date.

The Food District is an urban marketplace located in the heart of Mississauga at Square One Shopping Mall. Celebrating it’s one year anniversary this coming April, The Food District has transformed the traditional landscape of mall food courts by inviting a varied collection of vendors from across the spectrum (we’re talking cotton candy to olive oil) to partake in this eclectic modern bazaar. In addition to its amazing vendors, The Food District boasts a highly accessible teaching kitchen designed to invite the public for immersive group classes taught by highly skilled instructors from the food and drink industry. Recently, The Food District hosted 40 Greater Toronto Area Yelp Elites for two classes inside their District Kitchen.

Class one was taught by Chef Alex who instructed the Elites on proper kitchen etiquette and how to handle sharp knives that would be used for the class. The class started with the Elites making their own Basil Smash cocktails with fresh basil leaves, simple syrup and gin. Chef Alex shared her knowledge of how to properly handle the ingredients to ensure the most flavourful outcomes in the cocktails. Afterward she instructed the Elites on how to cook sticky rice and properly cut fish and vegetables to create various types of traditional sushi rolls. The Elites were left to create their own works of culinary art and take away sushi making skills to try at home. Before leaving, the Elites were given decadent bubble teas from Tao Tea Leaf and a sweet treat from The Macaron Boutique.

Class two was led by Chef Julian who instructed the Elites on how to make various kinds of pasta from scratch using flour and dough. Elites were taught how to roll, stretch and knead pasta dough and put to work behind the pasta stretching machine and make a giant pot of sauce on the stove where they created family-style dinner plates. Lastly, Elites were given the option to pair their dinner with a delicious VQA Ontario Cabernet or a VQA Ontario Riesling from The Wine Shop next door chosen by Chef Julian for the night. Elites were treated to complimentary after dinner coffee from Hale Coffee and a sweet treat from The Macaron Boutique.

Brampton Yelper Jonathan W. wrote, “Chef Julian did a terrific job of both ensuring that everyone was involved, as well as explaining the key to each step and how it affected the cooking process and final outcome. Duties were split up between various parts of the meal, but everyone got to roll, press and prepare their own pasta… It was also cool that many of the meal’s components were sourced right from The Food District.”

Check out the amazing reviews and photos here. To register for an upcoming class at The Food District, click here.

Special thanks to our sponsors:

The Macaron Boutique, The Wine Shop, Tao Tea Leaf, Blooming Cotton Candy and Hale Coffee

Written by Sami Huda for the YELP Official Blog

Photo Credit - Trenell Moses Photography

The Jamaican born Toronto rapper King Bliss spits his lyrics like he’s fresh off a 1995 Wu-Tang feature and the poignant social commentary on his songs deliver home the realities of a simpler and tougher life that mainstream artists often ignore. Earlier this month the poetic rapper dropped the single and video for his latest project “Chalice”. The video takes us on a journey through his hometown of Portmore where he shot the music video and showcases a side of Jamaica that is often ignored by the tourist ads.

We dialled up King Bliss to chat about his latest project and what led him on this new path on his musical journey.

SB: What was your inspiration behind this track? Why did you name it “Chalice?”

I remember being in a semi-meditative state when the opening line of the first verse came to me. “Chalice” was inspired by my lived experiences, particularly where I grew up. I reflected on the hardships I faced and the steps I took to survive different predicaments I found myself in.

I named the track “Chalice” because of how greatly my life and worldview have been positively impacted by Rastafari. In Rastafarian culture, the chalice is a smoking pipe/device that Rastas use in their rituals. These rituals normally include deep reasoning sessions characterized by Chalice-esque social commentary.

SB: Tell the world a bit about your hometown of Portmore. What was it like filming this video back in Jamaica?

Carlston Close, Cumberland a.k.a. Carlston State, is a housing scheme in Portmore where I experienced most of my memorable “firsts.” My first fight, first football (soccer) scrimmage match, first domino game, first hip hop cypher, and my first encounter with losing a close friend to a police shootout. These events made me the man I am today. Going back home to film the music video was therefore a surreal experience for me. A lot of my community members didn’t know that I rap, so I vividly recall the proud expression on their faces as they watched and participated in the video.

The residents of Carlston are easy-going and friendly. The yutes (young men) are beyond clever, regularly coming up with new slangs, and they even have a coded language that community outsiders have a hard time deciphering. You can usually find them kicking it on the block after coming home from work, and playing football on the weekends. The ladies are beautiful and classy; maybe a bit too classy as they are usually indoors.

SB: You and Bes Kept have produced some solid tracks together, what is the secret to your chemistry?

Both Bes Kept a.k.a. Penderhughes and I are genuine fans of music. Specifically where hip hop is concerned, we have a thorough appreciation for all of its elements. We are committed to pushing the culture forward so as to positively contribute to the genre. It’s this shared commitment, and that’s the secret to our musical chemistry.

SB: You know we have to ask. How have you been spending time during this pandemic? Any tips for the rest of us?

I have been making the most of this pandemic by completing the many different tasks that I have assigned to myself over the years. I often take on too many different projects at the same time, but this is where my great time management skills come in handy. On the music front, I have been writing like crazy!

Tips? Be especially creative and inventive at this time. Given that you have a bit more time on your hands, use those extra hours to build on your hobby, side hustle or your neglected interest.

SB: What's next for you?

Several music releases. I have just completed a project with Toronto-based producer, Finn. It is currently being mixed and mastered. As well, music video treatments are now in development. I am currently half-way through a project with Penderhughes. I have also teamed up with a group of Jamaica-based beat/riddim makers who are currently working on Hip Hop beats with a heavy dancehall influence for our joint project together.

SB: Lastly, Toronto has a very big vibrant Caribbean community but the mainstream public often sleeps on Caribbean artists from the region itself. Plug three artists from Jamaica or any other Caribbean country that you feel should have more recognition internationally.

Govana - His songs are very well-written and often feature interesting and relevant concepts. Check out his single “Hamants Convo”.

Masicka - Also from Portmore, Jamaica, Masicka is a talented lyricist that does a great job of delivering his vocals in a clear and engaging manner. Listen to “Changes”

Dexta Daps - Is a very talented singer/songwriter who has a uniquely appealing way of delivering his melodies. You will vibe out to “Chinese Jordan”.

Fleeting, Inconsequential is a refreshingly creative project that touches on themes of love, loss and loneliness.

Up-and-coming R&B artist Amaka Queenette successfully crosses over genres to deliver a masterful visual album directed by Kostadin Kovel of Noscht Studios. This EP is an impressive project from the 20-year-old singer-songwriter and delivers a meaningful and lasting connection for us.

The visual essay showcases a wide range of talent by this emerging Nigerian-born artist from Pickering, Ontario. Amaka comfortably holds her composure on camera as her confidence oozes on screen, blissfully drawing us into her melancholic world. It’s evident that the audio production on this project is carefully and meticulously composed, allowing Amaka’s soulful vocals to tell her story throughout the EP.

The true beauty of this project sits with the other characters who show up throughout to play vital roles in the narrative, all of which add to Amaka’s mystique. From the anonymously-whispered confessions layered over top the soundtrack, to the dancers zig-zagging their way through the set; these characters all share time and space with Amaka, making this project both personal and vulnerable.

This is a refreshing piece of creative work from a seriously talented artist, who will undoubtedly become the topic of many conversations within the Toronto music scene.

Canadian R&B duo 4TwnTy hit us with a conveniently-timed eponymous EP titled IVXX that pairs so sweetly with your favourite sativa strain. This mature and new sound from the sultry duo (Shay & Aya) takes us deep into their emotions as they return for the second time with a 4-track EP that sets a mood for a perfect solo dolo evening that’ll have you moving all cute post smoke-up.

IVXX has something for everyone. Like a well curated mixtape, the girls take you on a sonic self reflection through each song as it builds tension, leading to the ultimate release of emotional energy. 

WITHOUT YOU -  The song takes listeners on a very inward journey, reminding us of all the bad decisions we make when we are around that one person that we can’t seem to let go of. The crisp and soothing vocals over melo synths hit the brain like that first toke, after which you know you are in for a good time no matter where the trip takes you.  

FREAK SHIT - Our personal fave! Search “FREAK SHIT - 4TWNTY” on @YouTube and thank us later. 

GOT YOU - A soothing track for that ultimate sativa satisfaction. A self reflective ode to healing from emotional mistakes and bad decisions. Put this track on, put on the headphones, take a step outside and take a deep breath in. Like that ultimate rush of oxygenated bliss in your system, the song will blanket you with positive vibes and set you up for what is coming next.

MONEY - Our favourite track on the project, this song simply SLAPS. With lyrical finesse the girls come off as serious baddies as they drop dimes on this track going bar after bar with Peso Benjies on a banger that is sure to be on my hype playlists this spring. 

Serious Betty presents Night Fight Showcase, a musical battle that brings together four teams who will compete round-for-round in a show unlike any other.

Serious Betty will pair up four sets of artists from wildly different genres who have never performed together, each team prepared for a head-to-head battle.

In a round-robin style, audience members and industry judges will vote on which team brings the hottest hooks and baddest beats, crowning one team as the Night Fight Showcase champion. Plus we’ve got top underground DJs spinning to be crowned right off the top of the night!

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Our industry judges are Lynn Banks (founder of Icon Island), Jen Fox (Operations Director at NXNE), and Sonja (DJ and founder of Biblioteka Records).

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DJ battle: Arignarly vs DJ Bugs

Teams:

B1GJuice & Naseha

noiir & Eyes Enter Space

Siddartha & Oxala

Shaili Champ & Yojoshjones

How the night will go:

Round 0 - DJ battle & warm up

*Teams flip a coin for who will battle first*

Round 1 - Team 1 vs Team 2

Round 2 - Team 3 vs Team 4

Round 3 - Winners from Round 1 and 2 battle for the crown

This is a concept I developed in partnership with @artery.is where I invite performers to my condo and they do an intimate unplugged session in my living room to a select group of guests.

The performers are by the floor to ceiling window and with a great scenic view of the city in the background. The lights are dimmed and the city is sparkling behind them.

Featuring:

@itsnoiir

@kingblissent

@heyoxala

This is an open letter to whom it may concern.

I have always felt alienated. I feel like I live on the moon. 

Growing up I often felt the need to hide my talents and abilities just so I could fit in. As I grew into myself and became more self-aware, I came to the realization of my own abilities and frankly, genius. It is only after this realization that I have come to be in LOVE with who I truly am. These days, I am learning to enjoy my solitude and the time I spend alone in my crammed bedroom home studio on the east-end of Toronto. This is the space where I wrote and recorded LOVE because this is my reality.

This track is about three things: MENTAL HEALTH. SELF AWARENESS. ADDICTION.

This song was created during a time of extreme self realization. I felt like there was a lot of fake love being thrown my way from people who didn't appreciate me or my craft. The visuals for this song are a reflection of how my brain operates. I know that many other artists can relate, specially those who suffer from mental health struggles like depression, anxiety, bi-polar disorder and more.

I was only 16 when I started to notice addictive patterns in my life. Instead of running away from it or turning to hard drug abuse, I experimented with psychedelic substances like mushrooms and lysergic acid diethylamide or commonly known as LSD. I believe this experience gave me a spiritual and life-changing awakening that has helped guide my music and career.

In the song I sing "I've been on my search, trying to break the curse, trying to break her first, trying to break her first." Those words are very close to my heart because all my life I've been on the pursuit of happiness. I feel that happiness eludes me because it's a state of mind and that is the curse i am addresseding. The material chase and neurotic behaviour creeps into my relationships.

This song is a LOVE letter to myself telling me that it is okay to be a solitary creature. It is ok to be a hermit and work on new music locked away in your tiny bedroom studio. I can survive on my own. Period.

I hope you enjoy the video for LOVE. This song was produced, written and performed by my myself, co-produced by Mac and mixed and mastered by Krinny.

Good night.

EYES

- x -

October 3, 2019

Thot Police has been bouncing around Canada all year, and this week, Thursday, October 3, the fifth installation of SANSFUCCS lands in Toronto. You'll catch performances by Goonda trap-duo Cartel Madras, rising rapper Jae Sterling, and 2 baddies from Toronto's underground, Sukha and AD1B.

Plus DJ sets by Calgary-based Yungkamaji and Toronto legends Freeza Chin and Jayemkayem.

This is a concept I developed in partnership with @artery.is where I invite performers to my condo and they do an intimate unplugged session in my living room to a select group of guests.

The performers are by the floor to ceiling window and with a great scenic view of the city in the background. The lights are dimmed and the city is sparkling behind them.

Featuring:

@nasim_asgari

@fathermelanin

@deelo

@etrnlmoel

August 22, 2019

Artery x Sami Huda collaborated to bring an intimate Hip-Hop and R&B showcase at May’s Flower Shop.

We set the vibe with some moody and melodic tracks from east-side musical phenom, Shanuka Sai as she serenaded the crowd with her soulful vocals.

Followed by a set from west-side Jamaican born MC, King Bliss. Informed by intellect and innovation, King (Knowledge Is The New Gansta) Bliss’ music is a product of his dedication to knowledge and growth.

Each set was followed by an intimate Q&A with host Sami Huda.

Special thanks to May’s Flower Shop for hosting the evening.

August 17, 2019

King Bliss went to the ISO Radio studio’s in uptown Toronto to meet with Jessica, host of Saturday’s with Serious Betty and guest host Tremayne of the Stay Out Late collective.

DJ Daigoro was on the decks to help debut the new single FIRE from King Bliss x Potent.

August 3 & 4, 2019

Worked the media pit as part of the INK Entertainment PR team. Managed media access to sets for acts like:

Jaden Smith
Loud Luxury
Tyla Yaweh
Rich the Kid
Lil Baby
Boogie
Skrillex
Murda Beats

May - August 2019

Drafted press releases for INK Entertainment’s RAPSEASON department for major concerts and showcases.

Wrote press for artists such as :

Jidenna
Emotional Oranges
Lil Keed
Raveena
Yelawolf
DAVE
Ruel
Clairmont II
Injury Reserve
Kyle Dion
Lucky Daye
Puffy L’z
Notifi
Ebhoni
Hoodie Allen
Rich Brian

July 24, 2019

Team Serious Betty was asked by Vox Future Creative Agency to curate the playlist for the 3rd edition of their Culture Club party.

“This playlist is a curated compilation of tracks by emerging Canadian artists that the Serious Betty team love and want to see rise to success. Truth be told, many of these artists are our friends, some we have booked for shows, but others we are simply a fan of. We hope that you vibe with the tracks we chose, and Shazam (all of) these artists to play on repeat well after tonight.”

Had the pleasure of sitting down with Kyla Clarke, host of The High Vibe show to talk about starting over after turning 30.

Life is constantly throwing new challenges at us and sometimes the best way to face these challenges is to walk down a new path.

On this podcast we talked about multitude of things including partying too much in undergrad, trying to become a rockstar-film director-diplomat, why I chose to go to #humberpr and what the future holds for me as I focus my efforts on the music and entertainment industry.

Link is here.

June 21, 2019

Serious Betty X Pride Toronto presents: This Is Paradise

A dance party to kick off Pride Weekend with the most vogue-y sounds, most electro beats, and the danciest global club sounds.

The night is all about celebrating our glorious differences while dancing into Pride weekend.

Sounds by:

Ace Dillinger
Young Teesh
Minzi

Venue: Backroom of the Cameron House.

June 10, 2019

Combining @nxne recently introduced eSports competition, Game Land, with the festival’s signature curator Club Land series, @trifectasoundco and @seriousbetty host the first ever Battle Showcase.

Held at @drakeunderground, artists and DJs from Trifecta’s unstoppable music collective will battle round-for-round against a Toronto-based supergroup made up of rising talent and fan favourites. .

Come by for a battle like no other - audience members and celebrity industry judges will vote on which team brings the hottest hooks and baddest beats .

This will be one hell of a hype night, filled with giveaways, on-site gaming stations, and fire flows.

Hosted by @_jessicadangelo and @loa3witch

Sounds by @daigoro__ @tefrondon and @lovebonezthedj

Poster by @logantannercreative & @mervxxgotti

June 05, 2019

King Bliss is eager to announce the launch of his single “Prom Night”, produced by Bes Kept.

Vine Rose is a luxury clothing and apparel concept that is defined by its quality and simplicity.